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From searching to manifesting - creating an ideal future

May 18, 2025
5 min read

Updated: Oct 10

Do you know the feeling of being stuck, unable to see how things could ever be different?

Perhaps you've already tried many things to overcome your performance anxiety. You practice, prepare thoroughly, and work on yourself. And yet, when you step onto the stage, you find yourself experiencing the same tension, the same fear, or the same feeling of being unable to express yourself freely.


At some point, it can become difficult to even imagine that things could be different.

I know this feeling from my own life. There were times when I felt deeply lost and trapped. I went through periods of depression and could hardly imagine how I would ever find my way out of that state. It felt as though things would simply go on like that forever.

One important discovery on my own journey was that mental imagery could help me begin to envision a different future.


Not because all my difficulties suddenly disappeared, but because I was able to reconnect with possibilities I could barely perceive before.

Today, I also use mental imagery in my coaching work with musicians.


Why Mental Imagery Can Be a Valuable Resource


Our imagination influences how we feel and how we respond to situations.

You may recognize this: You think about an upcoming performance and immediately notice your body becoming tense. Even though you're not on stage yet, your heart begins to race, your breathing changes, or you start imagining everything that could go wrong.


Mental images can trigger very real physical and emotional responses.

But this doesn't only apply to frightening scenarios.

Imagining a pleasant, safe, or fulfilling experience can also shift something within us. We may begin to feel a greater sense of openness, joy, confidence, or the desire to take action again.


This is about more than positive thinking.

A mental image can become especially vivid when we don't just picture a situation in our minds, but also notice the feelings and physical sensations associated with it.

What would it feel like to make music with joy? How would you stand on stage if you didn't have to constantly monitor and control yourself? What would it be like to feel truly connected to your music and your audience?


These kinds of images can become a valuable resource. They allow us to focus not only on what we want to avoid, but also on what we genuinely long for.


From Feeling Frozen to Taking an Active Role: How New Possibilities Emerge


When we experience intense fear or ongoing stress, our perception can become significantly narrowed.

We may find ourselves primarily focused on identifying potential threats, avoiding mistakes, or simply getting through the situation.


Sometimes we feel almost frozen. We know we want something to change, but we can't see a way forward and struggle to take action.

I've experienced firsthand how painful this feeling can be.


Especially in moments like these, it can be helpful to begin imagining that a different experience might be possible.

A mental image can remind us that our present circumstances don't necessarily determine our entire future.


Perhaps, at first, all we feel is a small sense of hope or curiosity. Perhaps we notice a wish or longing that we've lost touch with for a long time.

Even that can be an important step.


Because when we can begin to imagine where we want to go, it may become easier to recognize concrete possibilities and take the first steps toward them.

We begin to take a more active role in shaping our lives, rather than experiencing ourselves as entirely powerless.


Of course, we cannot influence every external circumstance. And mental imagery doesn't automatically resolve a state of fear or feeling frozen.

But it can help us reconnect with our wishes, our sense of direction, and our ability to take action.


Your Ideal Stage Experience: What Do You Truly Want to Experience?


Many musicians know exactly what they no longer want to experience on stage.

They don't want to tremble, have memory lapses, constantly criticize themselves, or feel afraid of making mistakes.

But what do they want instead?


This is a question I also explore in my work with musicians.

Because there is a big difference between wanting to get rid of anxiety and imagining how you truly want to make music.

Perhaps you want to feel free to move on stage. Perhaps you want to let yourself be carried by the music, connect with fellow musicians, or share something with your audience that genuinely matters to you.


Perhaps you want to experience being able to stay connected to yourself, even when something doesn't go perfectly.

Your ideal stage experience doesn't have to be a perfect performance.

Instead, it can reveal something about who you truly want to be as a musician and how you want to express yourself.


In my twelve-week coaching program, I also work with a guided meditation that helps musicians connect with their own personal vision of a fulfilling stage experience.

I combine mental imagery with body awareness and emotions. Experiencing a sense of openness and connection also plays an important role.


Afterwards, musicians write down what they experienced. This allows them to reconnect with how they truly want to make music, even in everyday life.

The aim isn't to program yourself to achieve a particular result or force a flawless performance.


Instead, we can explore what genuinely feels right for us and how we can reconnect more deeply with our own musical expression.


When Visualization Doesn't Help or Creates Additional Pressure


As valuable as mental imagery can be, it isn't equally helpful in every situation.

Perhaps you try to imagine yourself feeling relaxed on stage, but your body immediately responds with tension. Or perhaps you can't access that desired feeling of freedom at all.

Especially when we're experiencing intense anxiety, positive images can initially feel very distant or even impossible to reach.


An exercise that was meant to be helpful can then quickly turn into another demand: I have to relax now. I have to finally imagine a successful performance. I have to create the right feeling.


And suddenly, we're under pressure again.

That's why I believe it's important not to force mental imagery.

When doubts, uncomfortable feelings, or physical reactions arise, we don't have to simply ignore them. They may also tell us something about what feels difficult right now and which protective patterns might be activated.


Sometimes we first need more stability, a sense of orientation, or support before we can even begin to approach a desired future.

For me, visualization is therefore not a method for solving every problem or creating any external reality we choose.


It's a way of encouraging new experiences and reconnecting with what truly matters to us.


Conclusion: Shaping Your Own Path Instead of Just Searching for Solutions


When we struggle with performance anxiety, self-criticism, or intense pressure to perform, our attention often becomes focused primarily on what isn't working.

We search for methods to get rid of our anxiety, avoid mistakes, or finally perform the way we think we should.


Along the way, we sometimes lose sight of why we make music in the first place.

Mental imagery can help us rediscover that connection.

It can remind us that, beyond our previous experiences, other possibilities exist. That we're allowed to have wishes and aspirations. And that we can influence how we shape our musical lives.


For me, this is an important part of change: not only understanding what's holding us back, but also reconnecting with where we truly want to go.

Because ultimately, it's not about functioning perfectly on stage.

It's about being able to make music again with joy, vitality, and our own authentic expression.


Would you like to explore what's holding you back on stage and how you can experience greater freedom when making music?

In my coaching, I support musicians in understanding the patterns behind their performance anxiety, opening up space for new experiences, and reconnecting more deeply with themselves and their music.

 
 
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